| Tomorrow, the World | |
|---|---|
Theatrical release poster |
|
| Directed by | Leslie Fenton |
| Produced by | Lester Cowan (producer) and David Hall (associate producer) |
| Written by | James Gow and Arnaud d'Usseau (play) Ring Lardner, Jr., and Leopold Atlas (screenplay) |
| Starring | Fredric March, Betty Field, Agnes Moorehead |
| Music by | Louis Applebaum |
| Cinematography | Henry Sharp |
| Editing by | Anne Bauchens |
| Release date(s) | December 29, 1944 |
| Running time | 86 min (82 min in the Video-Cinema Films Inc. print) |
| Country | USA |
| Language | English and German |
Tomorrow, the World is a 1944 black-and-white motion picture starring Fredric March, Betty Field, and Agnes Moorehead, about a young German boy who had been active in the Hitler youth who comes to live with his uncle in the United States, who tries to teach him to reject Naziism. The film, directed by Leslie Fenton, was based on the successful 1943 Broadway play of the same name.
The title comes from Hitler's famous threat: "Today, Germany; tomorrow, the world."[1]
Contents |
The play, "Tomorrow, the World," opened on Broadway in New York City, New York, USA on 14 April 1943 and closed 17 June 1944 after 500 performances. The opening night cast included Skip Homeier as Emil and Edit Angold as Frieda, both of whom originated their movie roles in the play, and Ralph Bellamy as Mike Frame, Shirley Booth as Leona Richards and Kathryn Givney as Jessie Frame.[2]
Producer Lester Cowan bought the rights to the play for $75,000 plus 25% of the gross, not to exceed $350,000. He wanted to change the title of the movie to "The Intruder," but a poll of exhibitors voted him down.[2]
When war breaks out in Germany, the parents of young Emil Buckner (Skip Homelier) send their son to live in the United States with his American uncle (March). Although the American family reaches out to the boy, trying to make him part of their lives, he's been heavily indoctrinated in Nazi propaganda from his years in the Hitler Youth.[3]
The uncle is a "gently liberal university professor," while the young boy -- despite the fact that he is an orphan with a father who was anti-Nazi -- has become "a parrot for the Third Reich, denouncing his late father as a traitor and being as nasty as possible to the professor's Jewish fiancee (Field).[4]
According to the website for Turner Classic Movies, the movie "was one of a small handful of films of the period, among them The Seventh Cross (1944), that sought to depict the everyday German. Instead of focusing on cruel Nazi stereotypes, the film concerned itself with those who were misguided or victimized by Hitler's brutal regime."[1]
Rotten Tomatoes refers to the movie as a "critically acclaimed World War II classic."[3]
The movie is one of the films highlighted in the 2004 television documentary, Imaginary Witness: Hollywood and the Holocaust, examining the way Hollywood films dealt with the sensitive topics of the Holocaust and anti-semitism.